Essay, Humor

CHICKEN WINGIN’ IT

“If anyone asks, we all ate these wings,” I say to the table as my hand hovers over a plate covered with the bony remains of twelve chicken wings.

I’m sweating profusely from eating twelve chicken wings by myself, and I swipe the back of my hand against my forehead. Around the table, there are four other plates piled with chicken bones.

An actual gif of me.

An actual gif of me.

*****

This post was basically decided for me, thanks to two of my coworkers/friends—let’s call them Melody and Aerin, you know who you bitches are—so, like, know that I was basically forced to write this like some kind of journalistic prostitute.

I had a post all about Go-gurt half-written for today, Thursday, but I switched to this because last night I—strong of body and narcissistic of mind—went out on a WEEKDAY like a goddamn Carrie Bradshaw.

Side bar, I wrote “Carrie Bradshaw” because she’s the only modern working-going out woman I know of, and I couldn’t remember what Samantha’s last name was in Sex and the City.

Wait, also side bar. Is it Sex In the City?

*****

Before going out to the local bar—and by “local” I mean the bar close to my work, which is forty minutes away for me—we went to a camp variety show, where I got a damp ass from sitting on moist benches. It was…a lot.

“Are you serious?” my coworker—hmmm, Evan (?)—says. He stands up and motions a hand down his front, pointing out his outfit. White t-shirt, olive chino shorts.

“Are you FUCKING serious?” I say. I look down at myself. White t-shirt, olive chino shorts. A few weeks ago, we went to a party and wore the same outfit as each other—black t-shirt and khaki chino shorts—yeah I’m not original. I don’t have a lot of non-gym short options, especially because I’ve gotten fatter but not gotten richer.

The fact that I’m apparently subconsciously psychically linked to this sixteen-year-old is a complete and utter waste of psychic abilities. Either that or God has a rude sense of humor.

Me.

Me.

Warren, in his raspy, young Walter Cronkite voice, laughs.

Every one of my friends—I guess I can call them friends instead of just “coworkers—is looking beautiful. But, frankly, I see them in very worn conditions, so just not have sweat stains larger than the rings of Saturn is an improvement.

We order our wings, after the waitress coming over multiple times, and after a quick but heated debate over the appropriate number of wings for Evan to order, it’s settled. I ordered six sesame and ginger and six tossed in a mixture of barbeque and buffalo.

Side bar, if I ever create a TV show, it will be a sitcom about a redhead, played by me, and an Asian, Sandra Oh, I’m assuming, who are best friends and chefs and I’m calling it Sesame and Ginger because I’m culturally insensitive and also hilarious.

*****

“White was not a good option to wear,” I joke. “You can probably see all of my sweat.”

No, you can’t see my sweat, but Melody points to my shirt, at a spot directly underneath my left collarbone. My stomach drops through the soles of my feet and burrows about six feet into the ground.

“What?” I ask, my voice cracking into a thousand pieces. “What?”

She doesn’t say anything, but keeps pointing. I tug at my shirt, tucking my chin down. And on my shirt is a glob of that fucking barbeque-buffalo sauce. On my WHITE, UNIQLO T-SHIRT.

I waddle—again, I’ve just consumed twelve chicken wings within a fifteen-minute stretch—to the bathroom and wring my hands on the doorknob. It’s locked, so I have to pretend to be a normal, functioning human being instead of a psychotic human volcano. The bathroom’s occupant eventually leaves, and I rush in.

First I wash my hands of any treacherous chicken residue and then examine the spot. In the mirror, the spot looks much smaller, but I imagine I can feel deliciousness soaking through the pearly fibers. I dampen it with a soaked paper towel and spend five minutes just batting at it like a kitten with a toy.

Halfway through the process, I look up at the mirror. Oh damn, I look hot. My shoulders look broad and muscular in the white t-shirt, and my hair lays thickly across my head, with the perfect amount of swoop. Not crazy enough to be a swish but not flat enough to be a flop. Sometimes I forget that I’m a broad person. I still think I’m the scrawny beanpole—with a 10/10 face, of course—but I’ve become…wide—in good ways. I look, like, really hot. Fuck yeah.

Eventually, the glob has diminished into a slight smear, that keeps taunting, but I know have another issue. My shirt is a thin, silky-feeling material, i.e. I now have a wet circle of fabric beneath my collarbone that has all the subtlety of a gunshot wound.

I press my hand neatly against the wet, very “Southern belle,” as I leave the bathroom because A) my last-minute frantic attempts to dry it off have not gone well and B) there’s a very small window where you can be in the bathroom without people thinking you’re shitting.

*****

The whole point of the night was to hang out with coworkers at the bar late into the night until everyone realizes that they’re in love with me. They are, they just need to figure it out. But the bar is so often frequented by fetuses—sixteen-year-olds—that the owner of the bar flips on the lights at 10:30.

Everyone hisses like vampires.

“All right, everyone without an ID get out,” he says. My friends—cool fetuses, not lame fetuses—decide to leave before they’re kicked out. So suddenly our friend group is fractioned off.

Then, later in the night, I spotted a hot British guy, one that Melody and Aerin frequently obsess over. I’m standing five feet away, his back is turned to me, so I say to Evan and another coworker—Miles—“Oh my god, it would kill them if I got a picture of him.”

We debate several different ways to take his photo. I say that I should go with the classic “walk up and take the photo over his shoulder and then change my name and join the Witness Protection Program” but that doesn’t go over so well. Miles and Evan spend a hot second trying to take secret swiping shots of him.

I, in my infinite wisdom, say, “Or we could just do this,” and lift up my phone in clear view, zoom in and hit the button. All of a sudden, my flash goes off. I narrowly avoid smashing my phone on the ground and double over, pressing the flash into the fabric of my shirt as the camera goes off. Serves me right for playacting paparazzi.

Also a real gif of me.

Also a real gif of me.

Eventually my friends and I “leave”—decide to vacate the premises before we are thrown out—and I hiss “Fuck you”s to all of the people my age or younger that I pass on the way out of the door who are being ballsy as shit and staying in the bar.

*****

We hang out a park—no stabbings—for a while, discussing various tidbits of gossip, before splitting up to go home.

I guess, as a college student, the night was a technical fail because we got “kicked out” but I ate twelve chicken wings, so I’m counting last night as a win. And that’s all that really matters.

*****

Side bar, should I publish the Go-gurt post? It’s just essentially 400 words of portable dairy conspiracies. I think I just answered my own question: FUCK YES.

P. FUCKING S. I’m so sorry Marco, but I put Sandra Oh down because I figured in between us traveling the world as a pop duo, our burgeoning organic pudding shop and our podcast, we might need a little space. Mistake rectified; Sandrah Oh is OUT.

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Essay, Humor, Life

DANCES WITH WHITE BOYS

“I already picked my outfit, but let’s go back through this journey,” I say to my little sister, flipping through the photos of possible outfits.

“No. No. No,” she says, rejecting three of the possibilities. We land—communally—on the outfit I’m already wearing: a light white short-sleeve button-down with neat, cubed stripes and medium brown tapered chinos.

I close my iPhone, making the screen go black on the coterie of headless photos, each angled in a way to showcase the outfits, variations on short-sleeved button-downs and narrow pants—in pairs of black and blue, blue and brown, and pastels.

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The outfit is flattering, broadening my shoulders, slimming my waist and just generally creating that V that drives the boys wild. But, in boat shoes and a watch, the outfit feels a little vanilla. A little preppy. It’s a little white bread for me. I like dark, sleek colors, or muted patterns. The Ralph Lauren—oops, just let me pick up the brand name I dropped—shirt and chinos are all fine and dandy, and I know that I’d rather look good than weird and misshapen, but I just feel like a little non-me.

I spent roughly forty minutes curating outfits, trying them on, taking pictures, and getting multiple opinions before arriving at the White Bread option.

Tonight’s our staff banquet. It’s kind of the social event of the season, when the norm is getting sunscreen stains on my gym shorts and a crick in my neck from talking to seven-year-olds. Basically, we needed this, y’all.

My little sister—let’s call her Poppy—is looking chic in a deep blue sleeveless dress with a scalloped hem. I straightened her hair for her, her sitting doing her makeup and me haphazardly taking great swatches of dark brown hair and running it through the scalding clamps. Ten minutes into it, and I’ve already put more effort into her hair than I’ve ever put into my own.

*****

“Omg, look at him,” my coworker—sixteen years old—salivates over a boy, tanned, muscular and coiffed—the epitome of the Abercrombie Zombie.

“I don’t really like his shirt,” I say sharply, drawing her attention back to me. Just as the sentence escapes my mouth, someone else whispers, “Oh my god, I like his shirt.” I lean across the table and pat her hand. “No you don’t, honey. He’s just hot.”

*****

The lights are down and everyone is a pulsing mass on the dance floor. I’m in the middle of the mass, dancing with my friends. We’re being jostled by the people dancing around us.

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The dance floor becomes a colony of microcosmic communities. There are constantly shifting dance circles, which vary in size, people dancing in the center, transferring across the expanse with others. There are small clumps drifting in between. The sixteen-year-olds cling together like lampreys on a whale, bobbing in unison. My group forms a loose oval, people stepping in and out.

The dance floor becomes an ocean, rippling and mutating. It ebbs and flows. It undulates with a liquid quickness. The sixteen-year-olds are a darting school of fish. My friends and I are jellyfish, languid and sleek in our motions, playing off each other. The lifeguards are seals, clamoring barks that go up into the pulsating air that’s already filled with deep bass and synthetic notes. The sports specialists—a motely crew of soccer, tennis, baseball—are penguins, muscular and lithe and slick and bobbing against each other. And in the center of the ocean are the Straight White Boys, slamming against each other and dashing up and down in the crowds like dolphins diving through crested waves.

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I am a White Boy, so I move with the awkwardness that comes from long, gangly limbs and jarring hip-drops. But the Straight White Boys seem to leap above the awkwardness, and treat the dance floor with a tribal hunger, a clannish mob mentality. They crash against each other, fists in the air, screaming the words. Unabashed. Fearless.

ilana-broad-city-dance-1422317984

*****

I wish I could dance like they do, unabashed. Unafraid. I wonder what it’s like to claim something without any hesitation. Without any forethought. The SWBs claim their method of dancing as assuredly as their predecessors claimed things like late night television and the Presidency. My predecessors, the Gays, claimed the margins, the outskirts. They sometimes even claimed the skirts.

*****

I have a chronic problem with living in the moment. I’m always too aware of my hands, the stilted movement in my legs. I consciously loosen my muscles, whip my hair out of its neatly, American Crew-ed coif and try to have fun.

I don’t know how many more summers I have of languidly hot days spent walking across the green fields of our camp. I don’t know how many more summers I have before I commit to a job, a field, a career. I don’t know these things.

So I decide to throw up my chin, glint my teeth and have fun. My body slips unconsciously into rhythm, and it syncs up with everyone else, until the ocean glides in beat and the dolphins appear to stop breaking against each other and everything else and start to move in harmony with the current. The seals bring out the laughter in everyone else. The fish dart and tickle and lighten. And the jellyfish, we bob faster, happier, funnier.

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*****

I only have so many moments on this craggy, smooth, mountainous, oceanic planet. I only have so many milliseconds with friends. I only have so many shared gazes with cute boys across the room. We only have so many…fill in the blank.

So I stop analyzing things in the moment. I stop placing meanings on the people, stop subconsciously dividing them into genii to make it easier for filing later. I stop noticing the patterns and the movements and start dancing.

Because sometimes that’s all we can do. Throw up our hands, toss back our heads, giggle and act like dummies and the real dorks we are.

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THE END

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