celebrity, pop culture, social media

ROB KARDASHIAN MIGHT’VE BROKEN CALIFORNIA’S REVENGE PORN LAWS

On Wednesday, Rob Kardashian took to social media to blast his former fiancée, Blac Chyna, for allegedly “cheating on him.”

He posted a video of Chyna kissing another man, purporting that she had sent the video to him, a video of Chyna going into what Kardashian alleged was weight-loss surgery, as well as several screenshots of conversations (between Kardashian and Chyna, and between Kardashian and the alleged other man). After accusing Chyna of essentially swindling him for $1 million, given to her in gifts and rent, Kardashian posted three nude pictures of Chyna before his account was disabled.

While this isn’t the first time that Rob has posted sensitive contact information (he posted the phone number of the “other” man and he has posted his sister Kylie’s phone number, forcing her to change it), this is the first time he’s posted nude images of someone else. And, under California state law, it’s possible that he could face charges for revenge porn.

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pop culture, Review, television, Thinkpiece

“PARIS”—KEEPING UP WITH THE KARDASHIANS

On March 19, Keeping Up with the Kardashians aired the episode centered around the Oct. 3 Paris robbery and assault of Kim Kardashian. The episode, titled “Paris,” was cut together clips of the Wests’ personal videographer, KUWTK film crew and camerawork done by Kim’s assistant Stephanie Sheppard. The result was 42 minutes (no commercials) of the most powerful reality television I have ever seen.

The episode was so effective because it was drastically different from how the Kardashians usually portray themselves. The blurry, ‘80s-style videography from Kanye’s personal archives is not typically (or ever) utilized in a KUWTK episode. Everyone holding a camera is a friend, rather than a crew member, meaning that Kim is much more open. That closeness between friends, Kim interacting with the camera, translates to the episode feeling much more dynamic and intimate.

The show also made the smart decision of not beginning the season with the Paris incident. In the episode-and-a-half period before the robbery, the show intentionally showcased more of Kim’s personality. She has often remarked that the show portrays her as dumber than she actually is, so this portrayal feels more authentic. We see her smiling, nosing around Khloe’s new relationship, thumbing through racks of clothing, laughing about her bodyguard tackling the butt-grabbing prankster to the ground. So when Kim finally gets robbed, and as the story gets retold through Kim and the people around her, we have become so attached to the bright, funny, sharp side of Kim that the robbery burns even brighter in comparison.

The Kardashians have built their careers on documenting their lives, but as they’ve gotten bigger, they’ve gotten better at hiding their true feelings. They say less, and everything they show is very edited. “Paris” is so raw and real and sad, that it’s antithetical to everything else they’ve ever shown.

Some people will criticize her for showing the robbery aftermath in the same way that people criticized her for documenting her life, claiming that she was the reason she got robbed. The common critique of “She flaunted her wealth” permeated every news title, the beginning of every argument. But in the same way that “she flaunted her body” is not a valid excuse for rape, flaunting anything should not be reason for inviting assault.

The gut reaction to victim-blame stems from this hatred of Kim Kardashian for being confident in her womanhood, particularly in her sexuality. Ask anyone who dislikes Kim, and it all begins with, “She’s famous for a sex tape!” As if she released it herself; as if she promoted it; as if Ray J is the most famous man in the world even though, through that logic, it should’ve promoted his career as well. A sex tape in 2007 does account for being arguably one of the most famous people in the world in 2017.

It’s the fact that Kim refused to be shamed or cowed by her sex tape. She didn’t let it define her. We as a society have such a visceral reaction to the notion of a woman not being shamed into the restrictive box set aside for female sexuality. And I truly believe that Kim refusing to be adhere to social norms led to resentment, and that resentment led to hate, and that hate led to victim-blaming.

Even though the sex tape wasn’t mentioned, it hung over the entire retelling. Because Kim is both a celebrity and a woman, the seriousness of the robbery becomes intersected with the threat of sexual assault. When the robbers came into her room, she was naked but for a robe. She detailed one robber pulling her down to the edge of the bed towards him by her legs.

“He pulled me toward him at the front of the bed and I thought, ‘OK, this is the moment they’re going to rape me,’” she said. “I fully mentally prepped myself—and then he didn’t.”

If this had been a male celebrity, I doubt that we would say that he was responsible for his assault. The notion of “asking for it” is so deeply associated with the feminine—blaming victims of rape for their assault by asking what they were wearing, how much they were drinking, who they were talking to—that anything done to a woman, especially a woman so closely linked with her sexuality, leads to victim-blaming. Because we see her “asking for it” in one sphere, and we transpose that onto another.

The Paris robbery has always turned into blaming Kim; blaming her robbery on her flaunting her wealth and life on Snapchat. But it needs to turn into a conversation on how we view women. How we shame and condemn women for owning their womanness; how we get angry about it. How we think, maybe in the darkest recesses of our inhumanity, that she had this coming.

Kim Kardashian did not have this coming. No amount of flaunting ever necessitates robbery or assault. She did nothing to deserve this. And as painful as I’m sure this reliving was for Kim, it was valuable. This is a woman who has an unparalleled platform and access. And instead of shying away from it, she used it for the broader good. She’s (hopefully) changing the way we talk about survivors of assault. Not with victim-blaming but with empathy and understanding.

“I took a tragic, horrific experience and did not let it diminish me,” said Kim on Twitter after the episode had aired. “Rather grew and evolved and allowed the experience to teach me.”

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pop culture, Rambles, television

THE KARDASHIAN AQUARIUM

Written late. I’m going to blame this going up late on the time-change, which is not at all true but you’ll never prove that. I mean, I just admitted to it, but will that hold up in court? Unclear.

This morning (my morning, your mid-afternoon), while I bustled around getting ready (doing dishes in my towel because I’m using this weird in-shower tanning moisturizer because clearly I don’t know when to quit while I’m ahead re God’s choices for my body; making my bed; choosing what plain t-shirt to overwear today) I watched the season 13 premiere of Keeping Up With the Kardashians. It’s been, like, so long since it’s been on—and so much has happened since then, even though the premiere was probably filmed in late September—that I almost forgot what it was like to watch KUWTK.

For instance, I don’t even need to be paying attention. I was doing dishes while it played, because by now, I understand that what happens in the “Coming Up” segment is essentially all you need to know for the next portion of the episode until the following commercial break. Also, they speak so quietly that I had to put on subtitles, and when I wasn’t looking at it, I knew that they would be lying on their sides lithely, picking at their acrylics, wearing hoop earrings, that I wasn’t missing anything.

Watching the Kardashians is like going to the aquarium. The main reason you go to the aquarium is because the fish are pretty, and it’s a glimpse into a world that you would know nothing about otherwise. To live amongst the fishes, you must forgo oxygen. To live amongst the Kardashians, it’s kind of the same thing. I don’t have elaborate parties at Prime One Twelve in Miami for my personal assistant. I don’t occasionally drop into my New York brick-and-mortar shop.

By the by, the Kardashians should sell DASH to Nordstrom. To not to that would be so fucking dumb. Make like Topshop and put that shit in a department store. Pls.

I don’t arrange for four extra rooms in a luxury hotel for my NBA player boyfriend and his crew. I don’t have a crew.

For these reasons, amongst a thousand others, I watch the Kardashians. Kylie and Kendall weren’t in the episode at all (apparently Kylie is gunning for a Kyga reality show—because that worked so well with Khlomar) and Kris only popped up at the end to wear power blazers and talk about baking cinnamon rolls. My family is boring and not even we have conversations this boring.

But I watch, and in the moments where I’m not fluffing my duvet (not a euphemism) or picking a cologne (out of two options) I’m glued to the screen. There’s something so alluring about these people—like watching Galatea come to life and talk about beanies. They’re hyper-human; they’re hyper-beautiful; they’re hyper-rich. And the fact that they have the most mundane conversations is part of the appeal; that people with this much beauty, influence, wealth and power could actually be so boring. STUN.

I think what I’m most excited for (besides the Paris saga) is Blonde Kylie. I was a huge stan for Blylie, and every day I miss that blonde bombshell moment she went through. Best few months OF MY LIFE. Also, I just realized that months ago, I tweeted that if Kylie did not release a line of highlighters called “KyLighters” that everything she’d done would be for naught. And guess what!!! It’s not for naught because she released Kylighters!!!! I can’t believe I’m psychic.

Side bar—there was a point sophomore year that I was legitimately convinced that I was psychic and I truly believed I could predict the future. So maybe this is my second wind!

I like how all I thought to write about was the Kardashians and even with that, it’s taken me, like, an hour to get this far. Not all heroes wear capes though, because I’m managing to finish this 4 my fans. Actually, though, I totally would wear a cape—very chic. Although very fall.

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Source: Danny McCarthy// My current background

Is there anything left to say? I switched out my phone cases because “if I had to look at my clear phone case for another second, I would’ve flipped out” and that’s too extreme of a reaction to have about anything. My new one is silicone-y and says “Chill pills” which isn’t basic of me because, technically, I am on chill pills. It’s ironic and subversive. Fuck off.

I love my life. I love the Kardashians. I love cauliflower.

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Source: Twitter//Peep the time-stamp; who’s gonna tell my Twitter about Daylights Savings?

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Humor, pop culture

TAYLORGATE: KIM KARDASHIAN IS THE INVESTIGATIVE JOURNALIST OF OUR GENERATION

Written after a nearly 13-hour workday. So tired I didn’t even consider writing “werkday.” That’s a lie. I thought about it.  

S/o to my coworker/friend/workout buddy Melanie (I’m too tired to think of a real pseudonym) for our extended work day. Also s/o to my other coworkers Lazy-Eye, Thinks She’s Pretty, Mittens, Tonya Harding, Voldemort, Real Housewives, Hot Sauce, and Rumplestiltskin. You guys are awful, but also hot?? I can’t figure it out.

I eventually want to address more serious topics, but the thought of exercising my brain in that direction is too much rn, so we’re going to move onto something that LIGHTS MY FIRE.

So much has gone since 2009 that I can’t even begin to recap it, but I’ll try to do my best. 2009 VMAs, Taylor Swift wins Best Music Video or whatever, over “Single Ladies.” Kanye storms the stage and says Bey deserved the award—true. Taylor gains massive popularity—kind of rightfully. Kanye is totally besmirched in the press—kind of rightfully. Both stars continue on their way, making a tentative peace the same way two rival prides of lions make a tenuous alliance.

All is relatively calm until Kanye releases “Famous” off the album The Life of Pablo. The lines “I think me and Taylor might still have sex; why? I made that bitch famous” strike a fire in Taylor, and she says in a later speech not to pay any mind to people who will try to “undercut and make claims to your fame.” V relatable.

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Source: People // GIVE US THE FACTS, KIM.

Kanye lashes back and says that Taylor knew and gave consent for the lyrics. Kim K concurs. Taylor basically calls Kim a brainwashed Stepford wife. Kim K says, “Rlly bitch?? We got video, hunty.” Taylor shits her pants but does not back down. The ruckus simmers. Recently, Calvin Harris and Tay broke up, then Calvin badmouthed Taylor (called her boring, again—kind of rightfully) and Taylor leaked that she wrote Harris’ summer Rihanna anthem “This is What You Came For.” Tbh I could take or leave the song. But that’s neither here nor there.

People are calling Taylor a snake, and Kim K—in time for the airing of the KUWTK episode that deals with the “Famous” drama—decides to pull out her fucking Sherlock Holmes cape and SnapChats the entire video that shows Kanye on the phone with a very-on-board Taylor Swift, thus apparently proving that Taylor was a tay-liar, and her high-waisted jorts were v much on fire. Kim showed the world the other side of Tay, and thus proved that she is more influential than Woodward and Bernstein combined. Kim makes Watergate like a middle school rumor mill. Bow down.

Taylor says the part she has an issue with was the “I made that bitch famous,” which she claims Kanye never cleared with her. But from what I glean from TayTay, I doubt that she was fine with “I think I could have sex with Taylor Swift” and not fine with “I made that bitch famous.” Seems like you’re upset about the wrong apart, Tay.

After this—a scene that makes Cersei Lannister blowing up King’s Landing with wildfire look like a FUCKING PLAYGROUND FIGHT—Selena Gomez decides to stop trying to revive her career and tweet on Taylor’s behalf. “Let’s use our platform for real issues,” she said. EXCEPT she has never tweeted about Alton Sterling, or Philando Castile, or any Black Lives Matter movement, or anything of that ilk. She tweeted about Orlando. But when t comes to defending a white woman, suddenly everyone wants to focus on “real issues.” Chloe Grace Moretz concurred with Selena Goawaymez, but she’s tweeted more about shoes than she has about social issues. Khloe got involved and tweeted an unfortunate picture of a girl she thought was Chloe, but it wasn’t. A for effort, Khlo, but no dice.

Part of me thinks this is a conspiracy concocted by Kim K and Tay—the witches of Macbeth—but that seems very extreme, given the excessive vitriol being lashed at Taylor. I think this because it’s very unlike Kim, who keeps everything in her queendom neat and ordered, to go off script like that and show something as messy as unveiling Tayliar Snake. Also, there is the whole “Search” aspect of the Taylor Swift note, which suggests that it was previously written and recalled for the occasion.

I would like to take a line from the Taylor Swift Instagram note. “I would very much like to be excluded from this narrative, one I never asked to be a part of, since 2009.” Most of me thinks that this proves that Taylor Swift is just like everyone in the entertainment industry—largely concerned with projecting their own narrative. Which is fine, dude, but own up to it. Don’t try to destroy other people to protect your own image. Taylor Swift has included herself in that narrative, making herself the victim of Kanye West. She chose to indulge in that dialogue, to make herself a character in that storyline. She is the one who wrote a song about it, who kept bringing it up, who allowed it to buoy her. Don’t throw stones at the glass house you just walked out of. Don’t burn bridges that you might need to cross over again.

Taylor has made bank off of being the victim, playing off the racism in America that allows us to come to the defense of a white woman who is the “victim” of a black man, even when that black man has  done nothing wrong. He wrote a lyric about her? And what has she made her career off of if not writing about other people? Kanye West is not perfect, but stop pretending Taykor is. And this is not a dig at her relationships, or an attempt at slut-shaming. That should not be important to the conversation. What is important is that Taylor Swift is a pop powerhouse and media mogul. She is every bit as powerful as Kanye. She is not the underdog any longer.

And shockingly, I found myself agreeing with Selenirrelevant Gomez—celebrities, use your fucking platforms for something actually constructive. I was grateful for this welcome distraction from issues such as the Dallas shootings, or the Baton Rouge shootings, or the mistreatment of Leslie Jones, or the still prevalent restrictions of abortion—WHICH IS LEGAL—or the still discussion of same-sex marriage, or the fact that Trump made Mike Pence—who LEGALIZED queer discrimination in Indiana—as his VP. Sometimes we need something dumb to give us a breather, and to make us realize what is really important.

We need to care more about social justice issues than social media. I think that the Tayliar situation reflects a lot of how our society thinks, but we need to focus on issues that require real, dynamic change. I’m a complete pop cultural anthropologist/junkie/apologist, but even I understand that this debacle is PENNIES compared to what else is going on. I wish the people I see in my life and on social media who are as fired up about taking sides in the Kan-Tay-Kim fight would be as passionate about other issues. No tea, no shade, but we need to pour our influence towards real change.

And lastly, remember that Beyoncé’s sheer greatness created a feud between two of the most powerful alphas in the entertainment industry. She did this by accident. Imagine what havoc Queen Bey could cause on purpose.

The moral of this article is: Buy “Lemonade” on iTunes. You don’t want to know what might happen if you don’t.

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pop culture

“KOCKTAILS WITH KHLOE” IS CANCELLED

Do you know how hard it was for me to not write the title as “KOCKTAILS WITH KHLOE IS KANCELLED”? It took greater resolve than that time when God told Moses to kill his son. Did I just use a Biblical reference to illuminate a point on the Kardashians? I’m ready for hellfire and plagues to rain down upon me.

Here’s the quick and dirty: Kocktails With Khloe premiered in January 2016, with an original greenlit episode count of eight. FYI was in talks to give Kocktails an additional 15 episodes, pushing the total count of episodes for the season to 23. However, they won’t continue on that promise, and the series with end with a total count of 14 episodes.

The talk show utilized a different camera style, preferring the “fly-on-the-wall” technique, and the entire show was retooled from the traditional form to a more “dinner party” atmosphere. The combination of the two, and the relatively unstructured nature of the show, gave it a listless, unfocused feel—in the opinion of this unbiased and very handsome reporter—that made each hour-long episode—already a daunting task for a late night talk show—feel even longer.

The show was a different direction for Khloe, despite her previous experience filling in as host for Chelsea Lately, and it’s a noble endeavor. She pulled in her celebrity family—and maybe that might have been part of the problem. The laconic, ennui-infected Kardashian-Jenners are suited for reality television, where their antics are enhanced by the glamour of their surroundings. In the confined and static location of Khloe’s “house,” their quiet and reserved demeanors dissolved into being just plain boring. If you think I’m dragging the Kardashians, then I’m coming off too strong. I love them, but I think we need to call a spade a spade. They’re kinda boring sometimes.

Kocktails saw guests such as Kym Whitley, Brandi “Shark Eyes” Glanville, Snoop Dogg, Tyga, Scott Disick, endless combinations of Kardashian-Jenners, my ultra-queen Nicole “Snooki” Polizzi, and Gay Mount Rushmore Head RuPaul. It also had Hot Sharone, Khloe’s bartender. I’ll be sad to say goodbye to Hot Sharone, although to be honest, he was a little distracting.

However, proving both that you can’t keep a good Kardashian down and that Ryan Seacrest has somehow tied his life-force to that of Kris Jenner, Khloe is already slated to have a new show. Revenge Body With Khloe Kardashian has been picked up by E! for six episodes and will follow Khloe as she helps people get after-breakup revenge bodies to…I guess…make their exes jealous. But who’s still the one going on public television to prove that they’re over you?? Seems a little thirsty.

The whole concept of a “revenge body” is a little anathema to me, but it’s kind of Khloe’s brand right now, and if you got it, then you should literally flaunt it. It’s her moneymaker—metaphorically and, now, realistically.

Revenge Body will not be produced by Bunim/Murray, which produces Keeping Up With The Kardashians, and will rather be associated with Khlomoney Productions—pause for eyeroll—Lionsgate Television, and Ryan Seacrest Productions.

The news of Khloe’s show cancellation proves that this is a tough week for Khlomoney. Yesterday, the news arose that Khloe’s brother, Rob Kardashian, and his girlfriend of three months, Blac Chyna, were engaged. Chyna is also the mother of Khloe’s half-sister Kylie Jenner’s boyfriend, rapper Tyga. So now, if Kylie and Tyga got married—Lorde help us—and Rob and Chyna get married, Tyga will be the uncle of his own son, and Kylie will be the stepmother of her own nephew. Can’t wait to be at that Christmas party.

Also, apparently Blac Chyna will revert back to her actual name—Angela—if she marries Rob, becoming Angela Kardashian, making sure that the blood vessels in Kim Kardashian’s eyes will burst.

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Review, Things I Like

REVIEW: KOCKTAILS WITH KHLOE

Grade: B-

I made a conscious effort to enjoy Kocktails With Khloe and even by repeating, “You like the Kardashians, you like the Kardashians,” I still kept checking the time left on the episode because it’s kind of a trainwreck.

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Kocktails doesn’t have a traditional camera set-up. It’s more of a hidden-in-the-walls, rigged to the ceiling situation, which feels about as intimate as watching someone in the locker room. Not that I’ve ever done that.

The guests come in through the front door—Kym Whitley, Brandi Glanville, and Aisha Tyler. And there’s a hot bartender who’s making custom drinks and his name is Sharone which is confusing to me but I’m not gonna pursue it.

Since the set is a “house” and the guests come through the front door, I have a few questions. Do they have coats? Where does the front door go to? Do they have to wipe their feet?

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The conversation is a little stilted and uncomfortable, and it’s mostly just Kym hitting on Sharone—who is married with kids—and Brandi Glanville refuses to talk about her ex-husband’s wife Leann Rimes. Brandi Glanville also makes me uncomfortable because she has total shark-eyes and I think she’s unpredictable, like she’s going to reach through the screen and grab my throat. Also later on she admitted to a threesome, so why can’t you give me the gossip about you and Leann?? Also they never even talk about how Brandi fell off a hoverboard. Literally stop avoiding all the things I care about.

Aisha Tyler is hands-down awesome—even when casually promoting her new range of alcohol (how koincidental)—and after a while, the awkwardness begins to dissipate. They do a lot of moving around—kitchen counter to couch to round table—so I want to go on the show just to get a major workout. And they play a lot of physical games—hop on one foot if you’ve ever…xyz or Brandi dancing like a ballerina as she admits to a threesome—and play “Would Or Wouldn’t Bang” which is only slightly more uncomfortable than watching a couple fight in the grocery store.

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It also feels a little bit forced in the “girl talk” sections when Khloe is forcibly cackling when talking about wanting to bang Michael Fassbender. Like I wanna bang him too, but ladeez please.

Also omg Kendall Jenner was there. I had literally forgotten that until just now because she looked so uncomfortable. I mean, her outfit was amazing, but you could tell that Khloe pulled some sort of IOU to get her there.

Snoop Dogg shows up, because…I’m not sure why. The only thing I knew is that he doesn’t smoke pot while he coaches boys’ baseball and that he had no idea he was in Straight Outta Compton until he was in the theater watching the movie and saw someone playing him.

Also I learned that when Khloe gets to drinking, she becomes Khlomoney. Which is uncomfortable.

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Some of the conversations are totally amazing—like Khloe talking about the double-standard of dating while separated, and Aisha and Kym talking about black women being represented in the media.

I think that the format leaves a lot to be desired, but that can always be reworked. Like, because it’s a talk show and it’s discussion-based, sometimes it can feel like it drags on. And I don’t think FYI wants me to be eighteen minutes in and feeling like it’s been forty minutes. With a little more structure—even though they “breaking the mold by changing up the late night format”—I think that Kocktails could actually be funny. Khloe is the most outspoken and doesn’t do that whole “whisper-talk” thing, so I think that she could really have a career out of interviewing people.

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