Category Archives: Review

pop culture, Review, television

REVIEW—CHELSEA & THE FUTURE OF THE TALK SHOW

Season 1, Episode 1

Grade: A

When you’re a comedy kid growing up, you study comedians. When you’re an unfunny comedy kid, you really study comedians. When I was a kid, I watched clips of Dane Cook obsessively—relax, this was when we were all on that Cook train, you liars—and then I moved on to people like Mike Birbiglia, Demetri Martin, Jim Gaffigan, Loni Love, Amy Schumer, Gabriel Iglesias, Tina Fey and Bo Burnham. But a huge influence on my comedy and my writing and my funniness—besides Lorelai Gilmore—was Chelsea Handler.

After Chelsea Lately ended, Chelsea Handler went soul-searching. She did a bunch of standups—Uganda Be Kidding Me—and books—Uganda Be Kidding Me—and then the hilarious and insightful docuseries Chelsea Does.

And more than anything else, her new Netflix “talk show”, Chelsea, feels like a natural extension of Chelsea Does, which in turns is a natural extension of Chelsea Handler in a way that Chelsea Lately never was. During Lately, you could always feel the tension, the vague bitterness that Chelsea had towards E! and the sense of a caged tiger pacing behind bars.

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Source: Netflix

Chelsea made no bones about the fact that she kinda fucking hated E! and felt like an idiot doing Lately. And something she made very clear on the first episode of Chelsea, centered around education, is that she hates feeling like an idiot.

In a year of trying to “shake up” the talk show game, Chelsea manages to succeed where others have failed. And by “others” I know that you know that I’m talking about Kocktails with Khloe. Now, don’t get me wrong—I would take a bullet for Khloe Kardashian in a way that I would never for Chelsea Handler—but Kocktails felt like a total money-funded passion project, aimed at giving a new network star quality and a ratings boost.

In a similar way, Chelsea feels a little indulgent, and is the first step Netflix is taking at live-streaming rather than binge-worthy season drops. But Chelsea is smart and funny and not talking itself too seriously, whereas Kocktails always felt like it was a little too aware of the cameras. In the first episode, Chelsea does—but doesn’t—do a monologue, and sits behind a—very fancy, black—desk, turning it into a “meta, breaking the fourth wall” version of every late night talk show. And it feels almost on purpose—like Chelsea knows that she’s going to get compared to everyone else, so why not beat them to the punch?

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Source: Netflix

Some of the show was a little weird—the “Netflix University” faux-commercial was boring and didn’t feel cohesive—but Chelsea had some fucking impressive guests. Her first guest was the U.S. Secretary of Education, John King. At first, when he was testing her on basic education, it felt a little like “This is about you but it’s really about me,” but after that, the interview is actually interesting. They talk about the need for education, personal mentors, and other cool stuff. After that, Chelsea brought out Pitbull, who spent twenty minutes trying to chase down Chelsea’s dog Chunk, who was loitering in the background like a beautiful teddy bear. Pitbull is starting a charter school in Miami—Slam Academy—and continued on the theme of “teacher mentors.”

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Source: Netflix

I think this could really be Chelsea’s strong suit. Since it’s a three-times-a-week digital stream, rather than doing “trending topics” like Lately, Chelsea could do much better by connecting pop culture to a larger episodic theme, similar to each documentary of Chelsea Does. Like, who the fuck would’ve known that Pitbull would’ve started a charter school? And also how he got his nickname “Mr. Worldwide?” It’s cool.

Side bar: they did that thing I hate, which is having the first guest sit in on the second guest’s interview. You had the U.S. Secretary of Education watching Pitbull try to be BFFs with a dog. It always seems so awkward, like when Bill O’Reilly had to stay while Jimmy Fallon interviewed Lorde, and I was like, “Who tf is Bill O’Reilly?” and my mom was like, “Who tfudge is Lorde?”

After Pitbull went back to his kennel—someone stop me, please—Chelsea brought out Drew Barrymore. She began by talking about how she, like Chelsea, didn’t really receive an education, but how that drives her. She read the dictionary as a kid, which is the ultimate nerd-out. The conversation veers towards Drew’s divorce, which was surprisingly honest and raw and real—a testament to the intimacy of the stream—and then how she wants to be a cheerleader for women by discussing divorce, and raise her daughters to be awesome women. The interview felt fun and fresh, unlike when talk shows bring on guests who are forced to hawk their latest project.

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Source: Netflix

In one episode, Chelsea made me do what Kocktails couldn’t accomplish in twelve—make me want to keep watching. I want to see what the next topic is, and who she brings on. I want to see what this turns into.

Keep on, keeping on Chelsea.

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pop culture, Review, television

REVIEW—REAL HOUSEWIVES OF NEW YORK: BIRTHDAY LUNCHES, BRYN THE FASHION DIVA, AND BEAUTIQUE

Season 8, Episode 5

Grade: A/A+

(Written while on my bed. Sexy. I’m in the middle of finals—well, I’ve just finished/failed one out of two finals—and I rewarded myself with an episode of The Real Housewives of New York. I don’t think I’ve done a Real Housewives recap, so I think it’s appropriate to start with this one. This has been a long aside. Oh! I’m wearing skinny jeans! That’s not relevant, but I just want people to know I wear things other than joggers. Moving on.)

Because Beverly Hills has been such a disappointment all season long—thank god it’s over—everyone and their mother is jizzing themselves with excitement over New York. It’s fresh, it’s dynamic, it has authentic drama, and so far no one has mentioned Munchausen. Seriously, Andy Cohen is circle-jerking with a crowd of Upper East Side gays in pure happiness that RHOBH is over.

Side bar: For those of you who don’t know, the entirety of RHOBH was taken up by someone—Lisa Rinna—claiming that Yolanda Hadid (nee Yolanda Hadid Foster) actually had Munchausen Syndrome instead of Lyme Disease. This is fucked-up, especially coming from Lisa Rinna, who—I was about to say “Not to be rude” but I can’t say what I’m about to without being rude, so fuck it—has lips that can only be described as two car bumpers and got her asshole waxed on television. The second half of the season was taken up by who actually started the Munchausen conversation. Except for a brief sabbatical where Lisa Rinna and Lisa Vanderpump went to Ohio to purchase a mini pony, which Vanderpump ended up not buying, this was the entire season. God, I envy that mini-horse. It managed to get out before it was too late.

Side bar side bar: Can someone confirm/deny that Lisa Rinna and Detox from RuPaul’s Drag Race have the same mouth? Thanks.

So we’re at the fifth episode of RHONY and we’ve already had a huge “To be continued” fight, Dorinda slurring her words more than a sailor on leave in World War I, and Bethenny saying someone else has an eating disorder. AND WE’RE ON EPISODE FIVE.

After last week’s episode, the botched barbeque and Bethenny shoving a bagel into her face while destroying Jules’ house, this episode has fresh drama that doesn’t feel too cringey. Here are the highlights.

1). Bryn and (I’m assuming) her personal stylist have approved her outfits for a trip. I’m surprised Bethenny does carryon, because I assumed that only my dad did that, but I’m glad to see that another tight-pursed New Yorker does the same.

2). Jules and Bethenny: Okay, so I hated Jules the first episode. And the second episode. And then I forgot she existed for the third episode and half of the fourth episode. But now she and Bethenny sat down for a lunch and, after twenty minutes of dead air as Jules formulates her thoughts, she finally tells Bethenny that she was shitty at her brunch and ran out like a total Mean Girl™. One thing that I like about Bethenny, even when I want to push her onto an iceberg and set her out to sea, is that she really digs honesty. She was totally fine with Jules telling her that Bethenny hurt her feelings, and almost encouraged it. After a season of RHOBH skirting around who said what, Bethenny’s honesty is refreshing. Jules reciprocates and confides in Bethenny that she struggled with an eating disorder.

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Source: Bravo/ Just realizing this is the same weird shirt with elbow cutouts Dorinda wore earlier this season. Can’t we let this thing die?

Yaaaas! Not “Yaaaas” that Jules had an eating disorder, but “Yaaaas” that she’s using her platform to say something. That’s a fucking hard thing to say, but I think it’s so good in the long run. Bethenny seems actually affected by the confession, which is surprising because I thought she was going to call Carole and tell her that she owes her $10, and thanks Jules for the honesty.

3). I don’t have an internship for the summer; should I ask Sonja if I can clean up her dog poop in that UES townhouse? Maybe that’s why Luann moved in with her. God bless that poor intern. And where is Pickles???

4). Sonja is hot. I kinda just realized this. But her outfit at Ramona’s birthday lunch showed off how beautiful she is. But I absolutely cannot imagine how Sonja is as a mother.

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Source: Bravo

5). Ramona tells Sonja that she has a drinking problem and that’s why Ramona doesn’t hang out with her, because people judge you by the company you keep. Um, is this fucking Downton Abbey? No one gives a shit who you hang with; also, Ramona, you’re a human tornado with eyes that enter the room ten seconds before you do, so I doubt Sonja, who was married to John Adams Morgan, an old money banker millionaire, is really dragging down your image. Let’s not forget Ramona Pinot, you bug-eyed lamia.

Sonja isn’t buying Ramona’s crock of shit, possibly because she’s so used to having it on her floor. Whereas last season Sonja actually seemed like she had a problem, this season she seems better. Ramona is just trying to seem like the total ingénue. This season’s Eileen Davidson. Ouch, that was harsh. I apologize. My favorite moment was Ramona saying, “You’re in denial; it’s so sad,” which is absolutely the best way to make it seem like whoever you’re accusing of alcoholism is an alcoholic.

6). Carole might be the only 56(?)-year-old to actually pull off a twenty-year-old’s style. Like, we dress the same. And I dig it on her. Also I love her lip injections. And she slayed in that moto jacket over her red dress.

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Source: Bravo

7). When there’s a crossover between franchises, it’s more uncomfortable than seeing your parents tipsy at a holiday party. And funnily enough, that one snippet of Bethenny throwing the ladies of Beverly Hills a dinner party was more interesting than the entire RHOBH season. And that was, like, episode two.

8). Ramona now owns red. She has previously laid claim to blue, so it’s unclear if she’s giving up blue or just adding red to her arsenal. Is someone going to tell the cardinals in Vatican City that they’re going to have to change? Maybe they could do a deep emerald. Ramona Red.

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Source: Bravo

9). Luann, former Countess and current MMA fighter, has fallen far from her gilded perch. Her voice is lower than that military facility where District 13 lives in Mockingjay, and she’s now the “Don’t be Uncool” girl. At Ramona’s birthday lunch, she gives Bethenny a belated present—even though she already gave Bethenny a hula hoop at her birthday barbeque bonanza (who can top a hula hoop?)—in the form of a Carlos Falchi leather bag, embossed with Bethenny’s initials. That, in itself, is sweet. Until you get to Ramona.

Luann gave Ramona a necklace from her own line, which she had given her two months earlier and had to repair. LUANN REGIFTED A FORMER GIFT AND GAVE IT TO RAMONA. I’m living, and Ramona’s eyes pop out so far when she sees that Falchi bag that you can see the back of the inside of her skull.

That’s so not classy, to give someone an amazing gift at someone else’s birthday party, when you give the birthday girl a janky Claire’s knockoff necklace. How far Luann has fallen, and how much of a sacrifice it is to be “Cool.”

10). It might’ve just been the editing, but there were at least ten UES biddies who clamored around Bethenny and screeching, “You changed your hair!” like she was Moses giving the Israelites manna. You could practically see them smelling the youth off her, like the Sanderson Sisters.

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Source: Bravo/ The absolute fear of a woman surrounded.

11). Sonja implied that she might have a pube stuck in her eyelashes? And why does that make me like her more??

*****

In this episode, RHONY has managed to do what RHOBH couldn’t—shake off a storyline. Sure, the John arc will come back, but RHONY was able to bring in fresh, organic drama to spice up the season. RHOBH, for all its trying, just keep resuscitating the cold dead corpse of Munchausen for twenty episodes. Which means we had to listen to Yolanda trying to pronounce “Munchausen” for twenty episodes. Yolanda, you speak, like, three languages—surely you can Google search how to pronounce “Munchausen.”

This was such a good episode that I had to write about it. I can only hope that it just keeps getting better. And that Sonja makes more uncomfortable small talk about blowjobs.

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pop culture, Review, television

REVIEW—RUPAUL’S DRAG RACE: WIZARD of YES GAWD

Grade: A-/B+

There are certain moments in television history that completely alter the axis of the narrative. At the end of season one of Game of Thrones, Ned Stark—the main character, the moral compass of the show—was beheaded, leaving everyone, both in the audience and on the screen, to rape, pillage, and burn across Westeros and Essos for five seasons. A third of the way through Psycho, the main character Marion Crane was stabbed fatally in the shower by “Mrs. Bates,” leaving in the swirling of her pupil two more hours of me wondering that if me thinking serial killer Norman Bates is hot is weird.

And last night on RuPaul’s Drag Race, we received a similarly jolting shift in both the narrative and the proverbial fabric of the universe.

SPOILER ALERT

My queen, my g0ddess, the light and sharp wit of Season 8 was abruptly and rudely eliminated from the competition that was hers to…well, not win but maybe do a respectable fifth place, a la Katya. Robbie Turner, the ripest peach in Seattle, has been eliminated. RIP.

After Acid Betty’s elimination, which was the equivalent to a shoulder shrug and a faint “Thin the herd” mentality, the queens discussed themselves. Naomi thinks she should wear a turtleneck—I agree. Robbie’s voice has miraculously returned. Thorgy’s “Madonna” reminds me of someone but I can’t think of who. Also Thorgy’s eye-roll to Bob winning the challenge is the single most “Woody Allen Jewish New Yorker” response ever and I live.

Bob is literally screaming about how she’s won two challenges. “Has anyone ever won three, before??” she SCREAMS. Yes, Bobby. Violet Chacki and Ginger Minj from the season right before yours. But I can’t stay mad at Bob because it’s like being mad at an adorable, fat child genius. They’re smarter than you’ll ever be, but they can’t pronounce their “s’s”. Robbie makes a vague threat comparing Bob to Jenga—ready to topple—which only proves that the queen that makes a prophetic comment is destined to be the one to go home.

Side note: You could build a HOUSE in the space between Robbie’s shady reads.

The mini-challenge is READING, with special guest RPDR EW Recapper Marc Snetiker—who can get it. The queens are…funny…but other than Bob—whose “Flipper” read has me giggling—I wasn’t particularly blown away. I actually liked Season 7’s a little more, because you could feel the venom because some of those bitches hated each other. Everyone’s too nice on this season. Bob wins the mini-challenge. Big surprise.

The Maxi Challenge is to create haute couture outfits inspired by characters from The Wizard of Oz for them and their Little Women of Los Angeles partners. When you type it out, it sounds like a fever-dream.

The little women pick their drag queen partners. Some of the women seem like they know who their queen is, others—Tonya—have that “Middle Schooler Trying To Remember The State Capitals When Put On The Spot” moment.

WERK ROOM OBSERVATIONS:

  • Naomi and Jasmine are both hair stylists—and they’re both flawless as hell.
  • Naomi is a bargain bitch: “I could look at fashion magazines from the time Barnes & Noble opens to the time Barnes & Noble closes.”
  • It’s interesting to see people who are also accustomed to reality television on RPDR. Aka the drAMA between Terra and Elena.
  • Bob is wearing leather overalls and I can’t even wear regular overalls without looking like a sausage in a denim condom.
  • “They always give you mustard and honey,” Elena on MasterChef, but I think it can apply to my general life.
  • I like Tonya.
  • Is Ru done with those Pharrell hats? Can I uncross my fingers?
  • I’m interested to see how the queens make over women. Have they done women before? That’s what she said. But no, seriously.
  • It’s smart that Derrick Barry (a professional Britney Spears impersonator) is paired with Terra (a mini-Britney Spears impersonator) because it’s not like the judges have been asking for versatility. He’s getting really good at singing that one-note.
  • KIM CHI TALKING ABOUT INTERPRETATIVE DANCE IS ME WHENEVER I HAVE TO TALK IN CLASS ON MATERIAL I’VE NEVER READ.
  • Somehow Bob was so focused on remaking his outfit and making his partner over that he DOESN’T START ON HIS MAKEUP UNTIL 15 MINUTES BEFORE THE RUNWAY.

Finally it’s time for the runway. Firstly Marc Jacobs is very hot in a “Ken doll in the microwave” kind of way, and I don’t even mean that as a read. Todrick Hall is possibly the only person who can wear a “Transformers Robots In Diguise” meets “St. Patrick’s Day” outfit and have it come off as Wizard of Oz realness.

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Source: LogoTV

Do you think Derrick realizes that she can’t come for Bob when she looks like “Young Judi Dench in a Swimsuit”??

Chi Chi and Ti Ti DeVayne as Dorothy—It’s not bad but it’s not great.

Bob the Drag Queen and Rob the Faux Queen as Glinda the Good Witch—10 points for the name, but -12 points for the fact that your partner looks great and you just have gray SPF on your cheeks and one of Robbie’s thirsty wigs.

Naomi Smalls and Jazzy Jems as the Scarecrow—THIS IS WHAT I’M LOOKING FOR. Haute couture, whimsy, fashion, amazing.

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Source: LogoTV

Derrick Barry and Terra Barry the Tin Man—NOT EVEN THE ‘80s HAD SUCH BAD SHOULDER PADS.

Robbie Turner and Hedda Turner as the Cowardly Lion—Ouch. That’s less “purr”-fect and more “purr”m gone wrong.

Thorgy Thor and Thorgeous as the Citizen of Oz—psychedelic, green, glitter. Yes. Yes. Yes.

Kim Chi and Miso Chi as the Wicked Witch—“Isabella Blow going to a funeral realness” is so indicative of Kim Chi’s actual, real fashion knowledge, and I loved it.

Interpretive dances were weird. Let’s not.

Michelle to Chi Chi: “Do you not contour breasts?”

Me as RuPaul: “You were not breast in show.”

Critique of Derrick—the first time when an accidental Britney reference was good.

Critique of Robbie—tru about the hairline.

Naomi wins because—obviously. She really took last week’s critique well, and that’s the mark of someone who has the potential to win the entire competition.

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Source: LogoTV

Derrick and Robbie are in the bottom two. Robbie took off her wig because WHY. WHY WOULD YOU DO THAT. WHEN HAS A QUEEN EVER TAKEN OFF HER WIG IN A LIP-SYNC AND RUPAUL BE LIKE “Lovely buzzcut. Shantay you stay.” Derrick did well in the lip sync, but I think even the producers are like, “Should we get her off the premises?” and RuPaul’s like “Eh, it’s not worth it. She’ll get it eventually.”

We love you, Robbie. You were Robbed(ie).

Stray Observations:

  • Ru interrupting Michelle is the gif that I need always.
  • NEVER COMPARE CHI CHI TO BENDELADREME. One is hot glued and one is hot DAMN QUEEN.
  • Someone on Tumblr said that this season is 75 percent personality and 25 percent fashion, as compared to the reverse in Season 7. And it’s true. Give me more glamour. I should be gagging at the runway.
  • We see that “Nebraska” promo moment, Derrick, and we’re purposefully ignoring it.
  • Robbie seems like one of the only queens that Ru was genuinely upset to eliminate. I love it.
  • I LOVE YOU ROBBIE.
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Review, television

RUPAUL’S DRAG RACE: SNATCH GAME

Grade: B

On last night’s episode of RuPaul’s Best Friend Race, I decided that my cuticles are really looking good. And that’s a shaaady way of saying that it was a bit of a let-down. There were the big moments—Derrick attempting to come for Bob, and Bob just looking at her like a bear looks at a fly—and there were the small ones—Kim Chi serving Pearl realness with “Is there something on my face?” which is one of the only lines in the history of television that makes me curl up inside myself. But largely, it was just consumed by the Snatch Game.

Question: Do you think Derrick is legally obligated to make at least one Britney Spears pun per episode? Or are they just holding the other members of her throuple hostage?

Derrick tried to drag Bob—“Can you teach me how to do rachet drag?”—playing off the fact that Michelle Visage gave an unfounded critique of Bob, saying that “ratchet drag” is her thing even though she brings it to us every ball.

Then RuPaul stalked around the Werk Room, trying to throw the queens off balance. I really wish that there was a Snatch Game where every queen did her first, terrible Option A, instead of “scrambling”—using air quotes—for their Option B’s.

In a ShOCKing turn of events, Naomi and Bob were going to both do Whoopi Goldberg—what did Whoopi, or us, ever do to deserve that—and Naomi switches to Tiffany “New York” Pollard, and Bob somehow switches to Uzo Aduba, rendering Naomi’s switch completely moot.

A last-minute switch isn’t always shooting the horse in the knee; last season saw Miss Fame and Violet Chachki both poised to do Donatella Versace. Violet decided to do Alyssa Edwards—queen of the no-chin tongue-pop—and managed to slay. Fame’s Donatella fell completely flat, and she went home soon afterward.

Bob’s characterizations—Crazy Eyes and Carol Channing—are really spot-on, but two things have to be said. First is the professional critique: Bob’s switching between two characters is excellent for throwing off the other contestants, but makes her seem too hungry. The judges warned her against “showboating.” The other is a personal critique: Bob didn’t do “Uzo Aduba;” he did “Uzo Aduba” as Crazy Eyes. It’s a small distinction, but the point of Snatch Game is to mimic and parody someone who is intriguing and interesting and maybe unexpected—playing an outlandish character isn’t really that hard to do, even though Bob does it well.

Derrick Barry—a professional Britney Spears impersonator in Las Vegas—decided to go outside the box and do Laura Bell Bundy. Derrick, Laura Bell Bun-don’t, please. RuPaul and the producers kept you for Snatch Game, to let everyone release those Britney blue balls they’ve had since you were announced on the cast.

On Snatch Game, here’s the rundown.

  • Thorgy gives us the realest “reanimated cadaver/Michael Jackson” you’ve ever seen.
  • Acid Betty somehow thinks that a Magnolia Crawford contour and an Effie Trinket wig gives us Nancy Grace. Where is the nasal? Where is the subtly popped nipple slip from her Dancing With The Stars days?
  • The gay who’s watched Devil Wears Prada seven times in me loved the Diana Vreeland moment.
  • Literally shocking: Derrick’s Britney is obviously enough to save him, even though that was a Dr. Faustus-level deal with the Devil, and we all know it.
  • Heterosexual teen supermodels Chanel Iman and Gigi Hadid looked a little like they didn’t know how they got onto set.
  • I’m loving the new season of OITNB.

For the runway, it’s Night of 100 Madonnas, which ended up being Night of Five Madonnas, because four out of eight queens wore the same kimono, forcing me to make the awful pun, “KimOHNO.”

Acid talks about how no one likes her. Thorgy talks about how she wants to conduct an orchestra in drag—The Thorchestra—but frankly, I don’t know why she didn’t call it the New York Philharmondick. Also, this has to be said: Thorgy’s dreads in his hairnet look like a big ole bag of Cuties clementines.

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Source: LogoTV

RUNWAY.

  • Thorgy: kimono.
  • Kim Chi: kimono.
  • Derrick: kimononono…are those faces?
  • Naomi: kimono?
  • Acid Betty: somehow reminds me of that Lindsay Lohan movie where she pretends to be pregnant. Labor Pains?
  • Robbie: Serves the Troop Beverly Hills–A League of Their Own Madonna realness.
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Source: LogoTV

Michelle Visage—a former Madonna impersonator—loves tearing into the queens, and the pure look of terror on Derrick’s face when Michelle’s shark eyes land on her almost makes up for every boring moment in this season.

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Source: LogoTV  THE LOOK OF SOMEONE WHO’S JUST SHIT ON THE RUNWAY

Kim Chi and Chi Chi DeVayne are the first ones safe, but no one got a chance to comment on Kimmy Jong-Un, and that makes me sad.

SPOILER ALERT:

Bob wins the Snatch Game, even though—yet again—Thorgy gets praise heaped on her. Poor Susan Lucci. Bob walks away with another victory and Thorgy goes back to slowly dying a little bit on the inside with every passing day.

Robbie, Acid and Naomi are in the bottom three, and Robbie is declared safe. Then it’s the Lip Sync of Bitter Betty and Naomi Shambles. Betty gets a little shady when she kicks Naomi’s kimono off the stage, but maybe she was just trying to minimize the amount of kimono desecration that had already occurred onstage that night. In the end, Acid was sent home and my g0ddess Naomi Smalls stayed.

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Source: LogoTV SPOT THE SHRIMP COCKTAIL

I think that the choice to have a veteran and visually aesthetic queen be eliminated was an interesting one. Naomi is younger, less experienced, and has shown less breadth, but I think the biggest thing is that she wants to be there. Acid kept shitting on everything, and even though I’ll miss seeing her reenact The Gremlins on the runway, I’m glad that Naomi got to stay.

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Source: LogoTV

Stray Observations:

  • Critter Couture might be the most inspired thing on this season.
  • Did you think that RuPaul was going to grill Gigi on her mom’s Lyme Disease controversy for a little cross-promotional television daisy chain?
  • I can practically hear Raven dragging Derrick already for that unfortunate booty situation.
  • “The White Chaka Khan” could be an excellent new Instagram bio for Acid Betty.
  • Future Snatch Game idea: Yzma from The Emperor’s New Groove.
  • Prediction: Derrick is going to turn into one of those beauty queens who complain that she “didn’t know this was going to be a comedy”
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Review, Things I Like

REVIEW: KOCKTAILS WITH KHLOE

Grade: B-

I made a conscious effort to enjoy Kocktails With Khloe and even by repeating, “You like the Kardashians, you like the Kardashians,” I still kept checking the time left on the episode because it’s kind of a trainwreck.

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Kocktails doesn’t have a traditional camera set-up. It’s more of a hidden-in-the-walls, rigged to the ceiling situation, which feels about as intimate as watching someone in the locker room. Not that I’ve ever done that.

The guests come in through the front door—Kym Whitley, Brandi Glanville, and Aisha Tyler. And there’s a hot bartender who’s making custom drinks and his name is Sharone which is confusing to me but I’m not gonna pursue it.

Since the set is a “house” and the guests come through the front door, I have a few questions. Do they have coats? Where does the front door go to? Do they have to wipe their feet?

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The conversation is a little stilted and uncomfortable, and it’s mostly just Kym hitting on Sharone—who is married with kids—and Brandi Glanville refuses to talk about her ex-husband’s wife Leann Rimes. Brandi Glanville also makes me uncomfortable because she has total shark-eyes and I think she’s unpredictable, like she’s going to reach through the screen and grab my throat. Also later on she admitted to a threesome, so why can’t you give me the gossip about you and Leann?? Also they never even talk about how Brandi fell off a hoverboard. Literally stop avoiding all the things I care about.

Aisha Tyler is hands-down awesome—even when casually promoting her new range of alcohol (how koincidental)—and after a while, the awkwardness begins to dissipate. They do a lot of moving around—kitchen counter to couch to round table—so I want to go on the show just to get a major workout. And they play a lot of physical games—hop on one foot if you’ve ever…xyz or Brandi dancing like a ballerina as she admits to a threesome—and play “Would Or Wouldn’t Bang” which is only slightly more uncomfortable than watching a couple fight in the grocery store.

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It also feels a little bit forced in the “girl talk” sections when Khloe is forcibly cackling when talking about wanting to bang Michael Fassbender. Like I wanna bang him too, but ladeez please.

Also omg Kendall Jenner was there. I had literally forgotten that until just now because she looked so uncomfortable. I mean, her outfit was amazing, but you could tell that Khloe pulled some sort of IOU to get her there.

Snoop Dogg shows up, because…I’m not sure why. The only thing I knew is that he doesn’t smoke pot while he coaches boys’ baseball and that he had no idea he was in Straight Outta Compton until he was in the theater watching the movie and saw someone playing him.

Also I learned that when Khloe gets to drinking, she becomes Khlomoney. Which is uncomfortable.

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Some of the conversations are totally amazing—like Khloe talking about the double-standard of dating while separated, and Aisha and Kym talking about black women being represented in the media.

I think that the format leaves a lot to be desired, but that can always be reworked. Like, because it’s a talk show and it’s discussion-based, sometimes it can feel like it drags on. And I don’t think FYI wants me to be eighteen minutes in and feeling like it’s been forty minutes. With a little more structure—even though they “breaking the mold by changing up the late night format”—I think that Kocktails could actually be funny. Khloe is the most outspoken and doesn’t do that whole “whisper-talk” thing, so I think that she could really have a career out of interviewing people.

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